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The second part of Pasolini's trilogy is based on the 14th century stories of Geoffrey Chaucer. Plunging with gusto into some of the blackest and bawdiest of the tales, Pasolini celebrates almost every conceivable form of sexual act with a rich earthy humour. The film's visual magic is complimented by this new high-definition restoration. Tom Baker is included in a largely British cast with the director himself taking on the role of Chaucer.