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Mishima: A Life in Four Chapters (1985) Blu-ray

Mishima - elämän neljä lukua

Ohjaus  Paul Schrader

Pääosissa  Ken OgataMasayuki ShionoyaHiroshi Mikami 

Tekstitys englanti

38,00 € (sis. alv)
1-3 arkipäivää
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5050629617139
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Paul Schrader’s dazzlingly unconventional biopic, with a celebrated score by Philip Glass:

In this visually stunning, collagelike portrait of the acclaimed Japanese author and playwright Yukio Mishima (played by Vengeance Is Mine’s KEN OGATA), PAUL SCHRADER (American Gigolo) investigates the inner turmoil and contradictions of a man who attempted the impossible task of finding harmony among self, art, and society. Taking place on Mishima’s last day, when he famously committed public seppuku, the film is punctuated by extended flashbacks to the writer’s life as well as by gloriously stylized evocations of his fictional works. With its rich cinematography by JOHN BAILEY, exquisite sets and costumes by EIKO ISHIOKA, and unforgettable, highly influential score by PHILIP GLASS, Mishima: A Life in Four Chapters is a tribute to its subject and a bold, investigative work of art in its own right.

Bonus Features:

Director-approved Blu-ray Special Edition Features:

  • New, restored 4K digital transfer of the director’s cut, supervised and approved by director Paul Schrader and cinematographer John Bailey, with 2.0 surround DTS-HD Master Audio soundtrack
  • Two optional English narrations, including one by actor Roy Scheider
  • Audio commentary from 2008 featuring Schrader and producer Alan Poul
  • Interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka
  • Interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie
  • Audio interview from 2008 with co-screenwriter Chieko Schrader
  • Interview excerpt from 1966 featuring Mishima talking about writing
  • The Strange Case of Yukio Mishima, a 55-minute documentary from 1985 about the author
  • Trailer
  • PLUS: A booklet featuring an essay by critic Kevin Jackson, a piece on the film’s censorship in Japan, and photographs of Ishioka’s sets
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