With her Oscar-winning turn in Klute, Jane Fonda (9 to 5) arrived full-fledged as a new kind of movie star. Bringing nervy audacity and counterculture style to the role of Bree Daniels – a call girl and aspiring actor who becomes the focal point of a missing person investigation when detective John Klute (Donald Sutherland) turns up at her door – Fonda made the film her own, putting an independent woman and escort on-screen with a frankness that had not yet been attempted in Hollywood. Suffused with paranoia by the conspiracy-thriller specialist Alan J. Pakula (All the President’s Men), and lensed by master cinematographer Gordon Willis (The Godfather), Klute is a character study thick with dread, capturing the mood of early-1970s New York and the predicament of a woman trying to find her own way on the fringes of society.
SPECIAL EDITION FEATURES
New, restored 4K digital transfer, supervised by camera operator Michael Chapman, with uncompressed monaural soundtrack
New conversation between actors Jane Fonda and Illeana Douglas
New documentary about Klute and director Alan J. Pakula by filmmaker Matthew Miele, featuring scholars, filmmakers, and Pakula's family and friends
The Look of Klute, a new interview with writer Amy Fine Collins
Archival interviews with Pakula and Fonda
"Klute" in New York, a short documentary made during the shooting of the film
PLUS: An essay by critic Mark Harris and excerpts from a 1972 interview with Pakula
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