The Story of Film: An Odyssey, written and directed by award-winning film-maker Mark Cousins, is the story of international cinema told through the history of cinematic innovation.
Five years in the making, The Story of Film: An Odyssey covers six continents and 12 decades, showing how film-makers are influenced both by the historical events of their times, and by each other. It provides a worldwide guided tour of the greatest movies ever made; an epic tale that starts in nickelodeons and ends as a multi-billion-dollar globalised digital industry.
Described as a love letter to the movies, Cousins visits the key sites in the history of cinema; from Hollywood to Mumbai; from Hitchcock s London to the village where Pather Panchali was shot, and features interviews with legendary filmmakers and actors including Stanley Donen, Kyoko Kagawa, Gus van Sant, Lars Von Trier, Claire Denis, Bernardo Bertolucci, Robert Towne, Jane Campion and Claudia Cardinale.
1. The birth of a great new art form: the movies. Filmed in the very buildings where the first movies were made, this first hour shows that ideas and passion have always driven film more than money and marketing. The very first movie stars, close ups and special effects and creation of the Hollywood myth. And a surprise: the greatest — and best-paid — writers in these early years were women.
2. Movies in the Roaring Twenties: Hollywood became a glittering entertainment industry with star directors like Charlie Chaplin and Buster Keaton. But the gloss and fantasy was challenged by movie makers like Robert Flaherty, Eric Von Stroheim and Carl Theodor Dreyer, who wanted films to be more serious and mature. This was a battle for the soul of cinema. The result: some of the greatest movies ever made.
3. The 1920s were a golden age for world cinema. German Expressionism, Soviet montage, French impressionism and surrealism were passionate new film movements, pushing the boundaries of the medium. Less well-known are the glories of Chinese and Japanese films, and the moving story of one of the great, now-forgotten, movie stars, Ruan Lingyu.
4. The coming of sound in the 1930s upends everything. We watch the birth of new types of film: screwball comedies, gangster pictures, horror films, westerns and musicals, and discover a master of most of them, Howard Hawks. Alfred Hitchcock hits his stride and French directors become masters of mood.
5. The trauma of World War II makes cinema more daring. The story starts in Italy; then we go to Hollywood, discover Orson Welles and chart the darkening of American film during the drama of the McCarthy era. Screenwriters Paul Schrader and Robert Towne discuss theses years. The director of Singin’ in the Rain, Stanley Donen, talks exclusively about his career.
6. Sex and melodrama in the movies of the fifties: James Dean, On the Waterfront and glossy weepies. We travel to Egypt, India, China, Mexico, Britain and Japan to find that movies there were also full of rage and passion. Exclusive interviews include associates of Indian master Satyajit Ray; legendary Japanese actress Kyoko Kagawa, who starred in films by Akira Kurosawa and Yasujiro Ozu; and the first great African director, Youssef Chahine.
7. The explosive story of film in the late fifties and sixties: The great movie star Claudia Cardinale talks exclusively about Federico Fellini; in Denmark, Lars von Trier describes his admiration for Ingmar Bergman; and Bernardo Bertolucci remembers his work with Pier Paolo Pasolini. French filmmakers plant a bomb under the movies, and the new wave it causes sweeps across Europe.
8. The dazzling 1960s in cinema around the world: In Hollywood, legendary cinematographer Haskell Wexler reveals how documentary influenced mainstream movies. Easy Rider and 2001: A Space Odyssey signal a new era in America cinema. We discover the films of Roman Polanski, Andrei Tarkvosky, and Nagisa Oshima. Black African cinema is born, and we talk exclusively to the Indian master director Mani Kaul.
9. The maturing of American cinema of the late sixties and seventies: Buck Henry, writer of The Graduate, talks exclusively about movie satire of the time. Paul Schrader reveals his thoughts on his existential screenplay for Taxi Driver. Writer Robert Towne explores the dark ideas in Chinatown, and director Charles Burnett talks about the birth of Black American cinema.
10.The movies that tried to change the world in the seventies: Wim Wenders in Germany; Ken Loach and Britain; Pasolini in Italy; the birth of new Australian cinema; and then Japan, which was making the most moving films in the world. Even bigger, bolder questions about film were being asked in Africa and South America, and the story ends with John Lennon’s favourite film, the extraordinary, psychedelic The Holy Mountain.
11. Star Wars, Jaws and The Exorcist created the multiplexes, but they were also innovative. In India the world’s most famous movie star, Amitabh Bachchan, shows how Bollywood was doing new things in the seventies too. And we discover that Bruce Lee movies kick-started the kinetic films of Hong Kong, where master Yuen Woo-ping talks exclusively about his action movies and his wire fu choreography for The Matrix.
12. Protest in the movies of the 1980s: brave filmmakers spoke truth to power. American independent director John Sayles talks exclusively about these years. In Beijing, Chinese cinema blossomed before the Tiananmen crackdown. In the Soviet Union, the past wells up in astonishing films, and master director Krzysztof Kieslowski emerges in Poland.
13. Film in the 1990s enters a surprise golden age. In Iran we meet Abbas Kiarostami, who rethought movie making and made it more real. Then, in Tokyo, we meet Shinji Tsukamoto, who laid the ground for the bold new Japanese horror cinema. In Paris one of the world’s greatest directors, Claire Denis, talks exclusively about her work. The story ends in Mexico.
14. Brilliant, flashy, playful movies in the English speaking world in the nineties. We look at what was new in Tarantino’s dialogue and the edginess of the Coen Brothers. The writer of Starship Troopers and Robocop talks exclusively about the films’ irony. In Australia, Baz Luhrmann talks about Romeo + Juliet and Moulin Rouge, and we plunge into the digital world to see how it has changed the movies forever.
15. Movies come full circle: They get more serious after 9/11, and Romanian movies come to the fore. But then David Lynch’sMulholland Drive becomes one of the most complex dream films ever made and Inception turns film into a game. In Moscow, master director Alexander Sokurov talks exclusively about his innovative films. Then, a surprise: The Story of Filmgoes beyond the present, to look at film in the future.